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REM Draft Discussion Thread
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Originally posted by Long John View PostI mean, look at the first friggin' track, "Radio Song". You all want to deny that the song never existed. That it wasn't part of that record. It was the band's choice to LEAD with that song.Considering his only baseball post in the past year was bringing up a 3 year old thread to taunt Hornsby and he's never contributed a dime to our hatpass, perhaps?
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Originally posted by Lucky View PostJust saying...our numbers changed considerably when we added a drafter, and this last round of posts have some screwed up numbering. I think we're still in order, but it's getting hard to tell.
7.04 (Erik)
7.05 (JonCarlos)
7.06 (Long John)
7.07 (Johnny)
7.08 (Pogues)
7.09 (DMT)
7.10 (Stephen)
7.11 (Senorsheep)Originally posted by Kevin SeitzerWe pinch ran for Altuve specifically to screw over Mith's fantasy team.
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Originally posted by Erik View PostAnd so was Harborcoat.
Well, at least Harborcoat locks in my next pick.Considering his only baseball post in the past year was bringing up a 3 year old thread to taunt Hornsby and he's never contributed a dime to our hatpass, perhaps?
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Originally posted by johnnya24 View PostNew Adventures was actually quite a spontaneous record. It was mostly wrote and rehearsed on the road. They apparently used the sound checks at gigs on the Monster Tour to trial and flesh out songs. I remember reading that several of the tracks are actually recorded straight from the sound checks ... could be wrong there.
Sounds like you gave the record 1 listen ... it's not an immediate record, so I don't think it will be able to gives over it's true value with only a couple of listens. A bit like Monster, it's one of the records that gets better the more you listen.
Up will be a shock to the system
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Sorry, I lost my network signal in the blizzard. Un momento, por favor..."When I use a word," Humpty Dumpty said in rather a scornful tone, "it means just what I choose it to mean - neither more nor less."
"The question is," said Alice, "whether you can make words mean so many different things."
"The question is," said Humpty Dumpty, "which is to be master - that's all."
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Fans will forever differ on Out of Time. I don't like Radio Song, but there is a time and a place for Shiny, Happy People. But even if you disregard those two, everything else on OOT is good, and at least two or three of the songs are great.
It is an extremely rare album that has no warts. A lot of band fanatics will point to a certain album by their faves and say it is flawless, but that's seldom the case. I've found less than twenty albums in 45 years of listening that I thought were perfect from beginning to end, without a bad cut. I don't think there is any REM album that way.
We'll disagree on whether REM matured. I'll just say that jangly guitars, low-fi production and opaque lyrics will only get you so far. I think Stipe matured as a songwriter, and I can say with some authority that Mike Mills matured as a bass player. I also feel Peter Buck grew by leaps and bounds from his beginnings, which seemed at times like a Roger McGuinn impersonator.
Everybody Hurts was an important song, as much for the message and the directness of the message as anything. It seemed to get a huge response every time they played it.
Some of the "early REM" die-hards remind me of early Beatle fans, still clinging to "Beatles for Sale" a couple of years later when "Revolver" was released. A matter of taste.
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I've been sitting here trying to pick between the song that I prefer and the one that I know won't make it back to me. "Until the Day is Done" isn't one of their most well known songs, but I think it's beautiful and probably a top 5 R.E.M. song for me and I couldn't not take another chance that it might go unnoticed in this crowd.
Someone else will likely make a steal of a pick with the other song I was considering here, but I'd rather make sure I have "Until..." in my playlist.
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